Showing posts with label Neil Patrick Harris. Show all posts
Showing posts with label Neil Patrick Harris. Show all posts

Thursday, September 18, 2025

B'way Review: Art

James Corden, Neil Patrick Harris,
and Bobby Cannavale in Art.
Credit: Matthew Murphy
On our way out of the Music Box Theater where the revival of Yasmina Reza’s Art is currently playing, my female theatergoing companion remarked, “It was very funny, but men don’t really talk to each other that way. They don’t discuss their feelings so much.”

“But these are French men, not Americans,” I replied. “Ooooh,” she said. My friend may have correct in her assessment. The comedy in Reza’s easy, tightly-constructed wind-up toy of a play derives from the rapid-fire interchanges between a trio of longtime pals and the conflicting emotions which arise from the purchase of a ludicrously expensive, seemingly meaningless painting by one of them. Their initial reactions of wounded pride on the part of the purchaser and shock and bewilderment from the other two soon give way to long-buried resentments and everyone’s entrails are metaphorically spilled all over the stage. American males usually keep their guts and feelings safely bottled up (maybe Europeans are generally more expressive), and that’s what makes the play so funny: seeing the characters test the limits of their friendship and letting their emotions explode after holding them down for a hour before the final 30 minutes. The play doesn’t have anything particularly insightful to say about art or elitist culture itself, but this slick, sleek, well-polished production is a pleasurable diversion.


Reza’s sharp and amusing play in Christopher Hampton’s idiomatic and highly accessible English translation is given a fast, shiny staging by Scott Ellis and provides a rigorous acting workout for its three stars, Bobby Cannavale, James Corden and Neil Patrick Harris. After smash-hit runs in Paris and London, Art opened on Broadway in 1998, winning the Tony Award for Best Play and running 600 performances, a respectable run for a non-musical. The slim play is not quite as deep or daring as Reza’s other Tony-winning work God of Carnage which borrows a bit from Albee’s Who’s Afraid of Virginia Woolf ? But Art is riotously funny, puts across a few noncontroversial positions about art (it’s all in the eye of the beholder), and will keep you amused for an hour and a half.

Friday, May 23, 2025

B'way Update: All-Star Art Revival

Bobby Cannavale, James Corden, and
Neil Patrick Harris will star in a
revival of Yasmina Reza's Art.
Yasmina Reza's Art will return to Broadway with an all-star cast comprised of Emmy and Tony winners Neil Patrick Harris (Hedwig and the Angry Inch) and James Corden (One Man, Two Guvnors) and Emmy and Drama Desk winner Bobby Cannavale (The Motherf**ker with the Hat). Previews begin Aug. 28 at the Music Box Theater for an opening Sept. 16 and a limited engagement of 17 weeks through Dec. 21. Tony nominee Scott Ellis (Pirates! The Penzance Musical, Take Me Out) directs.

Art premiered in Paris in 1994, then London in 1996 with Christopher Hampton's translation and finally Broadway in 1998 with Alan Alda, Victor Garber, and Alfred Molina. It won the Tony Award for Best Play and ran for 600 performances. The plot centers on a trio of friends whose relationship is disrupted over an abstract painting. During the course of the Broadway run, the roles were played by Brian Cox, Henry Goodman, David Haig, Buck Henry, Judd Hirsch, John DeLancie, Joe Morton, Wayne Knight, George Segal, and George Wendt.


Monday, November 25, 2024

Off-B'way Reviews: Shit. Meet. Fan.; The Blood Quilt

Debra Messing and Jane Krakowksi
in Shit. Meet. Fan.
Credit: Julieta Cervantes
Robert O’Hara’s scalding new comedy Shit. Meet. Fan. was sold out before it even opened, and it’s riotously funny, as were his previous works Bootycandy and Barbecue, but it’s not really anything new. The hit status can be attributed to a cast stuffed with familiar TV names (such as Neil Patrick Harris, Jane Krakowski, Debra Messing and Constance Wu) and a limited run in a small Off-Broadway space at MCC Theater. The script is based on Paolo Genovese’s 2016 Italian film called Perfect Strangers which has had many remakes in various languages and the basic premise is familiar from numerous American plays. As in Who’s Afraid of Virginia Woolf? and The Boys in the Band, a group of friends gather for an evening of cocktails, but a seemingly harmless party game reveals uncomfortable truths and relationships are altered or shattered. The modern twist here is all seven guests are required to leave their cell phones on a table for an hour and whatever messages, texts, calls or email come in must be shared with the entire group. 

Monday, May 18, 2020

The 2020 Tony Awards Fantasy Clip Show

The 2019 Tony Awards
CBS is breaking my heart as we enter the ninth week of lockdown (NYC is still in quarantine while the rest of the country rushes back to the beaches, malls and nail salons.) The Eye network had announced the 32nd season of The Amazing Race--my favorite TV show as you can tell from past recap-blogs--would premiere on this Wed. May 20. When I tried to DVR it, the listing was absent. It turns out they are pushing back the whole series until sometime later in the year because the network is saving a strong ratings performer like TAR for the fall or winter just in case there are no new shows in production because of the coronavirus.

CBS is also not running the Tony Awards. That's not their fault. The Broadway League and the
Joel Grey in Cabaret
American Theater Wing have opted not to present the awards at all because of the pandemic, unlike the Drama Desks, Outer Critics, Obies, Lortels, New York Drama Critics Circle, and Drama League which are going forward to honor the truncated 2019-20 season on various virtual and TV platforms. So I don't blame CBS, but they could have come up with a better substitute than a sing-along broadcast of the movie version of Grease. Why not a clip show of highlights from previous Tonycasts? I suggested the idea on Twitter and Facebook and the response was a resounding yes. Here are my suggestions and those of some Twitter and FB friends on what we would have included for ALL the previous nationally televised Tony shows. OK, the show would probably run for five hours if everything here were shown, but this is just a fantasy. Note: I tried not to go for the obvious every year and didn't always pick whatever show won Best Musical. Some years, they didn't even include numbers from the nominated shows.

1967--Wilkommen from Cabaret--Joel Grey

1968--Before the Parade Passes By from Hello, Dolly--Pearl Bailey

Jack Crowder, Sherri Peaches Brewer,
Pearl Bailey, and Winston DeWitt Hemsley in Hello, Dolly!
1969--Turkey Lurkey Time from Promises, Promises--Donna McKechnie, Baayork Lee, Margo Sappington

1970--Always Mademoiselle from Coco--Katharine Hepburn, George Rose

1971---(25 years of Tony-winning musicals) Shall We Dance? from The King and I--Yul Brynner, Patricia Morrison; Before the Parade Passes By from Hello, Dolly--Carol Channing; If I Were a Rich Man from Fiddler on the Roof--Zero Mostel

1972--You Can Dance With Any Girl At All from No, No, Nanette--Helen Gallagher, Bobby Van

1973--Magic to Do from Pippin--Ben Vereen

1974--Upper Berth sketch from Phoenix 55--Nancy Walker, Harvey Lembeck, JJ Barry, Charles Nelson Reilly

1975--The Story of Lucy and Jessie from Follies--Alexis Smith; Everything's Coming Up Roses from Gypsy--Angela Lansbury