2026 Tony Award Predictions

For the past few years, I've combined my predictions for the Tonys with the Drama Desks because the two theater-award ceremonies were so close together. But this year, the DDs were held much earlier than the Tonys. So here are my predix for the upcoming Broadway-only Tonys. This has been an odd season with only 34 Broadway productions (if you count return engagements Mamma Mia and Beetlejuice) as opposed to 43 the previous season and 39 the season before that. There are only six new musicals, two of which have already closed (Queen of Versailles and Beaches). Some attribute this to the high volume of shows held-over from previous seasons including The Outlaws, Operation Mincemeat, Death Becomes Her, Buena Vista Social Club, and Maybe Happy Ending. Fewer theaters were available for new shows. 

Best Play
Prediction: The Balusters
Preference: Liberation

Will The Balusters triumph over Liberation?
Credit: Jeremy Daniel

The Balusters is still running and won the Drama Desk and Outer Critics Circle awards. Liberation (my choice) did take the Pulitzer Prize but closed as did NY Drama Critics Circle winner Little Bear Ridge Road. Liberation was not eligible for the DD or the OCC since it was nominated last season during its Off-Broadway run. Giant is seen more as a vehicle for John Lithgow than a play that could stand on it own. 

Best Musical
Prediction and Preference: Schmigadoon

The Lost Boys could sneak in, but there is much affection for Schmigadoon, the parody tribute to the Golden Age of Musicals even though most of it was already seen on the Apple TV+ series.

Best Musical Revival

Prediction: Ragtime

Preference: Cats: The Jellicle Ball

I voted for Cats: The Jellicle Ball because it was such a radical rethinking of the original, recasting Andrew Lloyd Webber's cosy musicalization of TS Eliot's poems as a drag ball celebrating outsider queer culture. Ragtime is magnificent, but this Lincoln Center revival is essentially the same show as the first production. As with Liberation, Cats was considered last season by the DD and the OCC for its Off-Bway run. It's very close and could go either way, but I have a feeling the Tony voters will lean towards the traditional with Ragtime.

Best Play Revival:

Prediction and Preference: Death of a Salesman

Despite multiple revivals of Arthur Miller's classic, director Joe Mantello found new insights.

Best Actor in a Play

Prediction and Preference: John Lithgow, Giant

Is John Lithgow on the way to his third Tony?
Credit: Joan Marcus

John Lithgow has two Tonys, Nathan Lane has three. Not that it matters. It's between these two past Tony champs. Lithgow has the edge because his role requires more shifting emotions from rage to deceptively ingratiating wit as the anti-Semitic author Roald Dahl. Lane is brilliant but his Willy doesn't go through as many changes.

Best Actress in a Play:

Prediction and Preference: Lesley Manville, Oedipus

Best Actor in a Musical:

Prediction and Preference: Joshua Henry, Ragtime

Best Actress in a Musical:

Prediction: Caissie Levy, Ragtime

Preference: Sara Chase, Schmigadoon

I preferred Sara Chase in Schmigadoon who was funny and touching as the musical-loving doctor trapped in the titular fantasy town but Drama Desk winner Caissie Levy will probably be part of a Ragtime sweep.

Book Review: Gay Bar: Why We Went Out

(Bought at Center for Fiction bookstore in Brooklyn): Jeremy Atherton Lin combines memoir with social history in his examination of gay bar culture in London, Los Angeles and San Francisco. Through the lens of his personal experiences, Lin dissects shifting attitudes on gays and our public gathering places. There are fascinating details about the history of certain establishments and how their very structure changed over time. Many gay bars covered their windows so patrons would not be seen from the street. Many had "no-touch" policies because same-sex dancing and displays of physical affection were illegal and could result in police raids. 

While I appreciated the history, I found Lin's personal story uninvolving. He does trace his relationship with a boyfriend, nicknamed for a Leonard Cohen song, but I felt I didn't get to know him (Lin or the boyfriend). The very fact that we don't know the guy's name is telling. During his time with the boyfriend, they engage in sex with others. It would have been interesting to delve into that aspect of certain gay unions and why fidelity is not seen by some as important. 

B'way/Off-B'way Update: Awake and Sing; Playwrights Horizons

Danny Burstein, Jessica Hecht and
Jeremy Shamos will star in an MTC
revival of Awake and Sing!

Manhattan Theater Club will present a Broadway revival of Clifford Odets' Depression-era family drama Awake and Sing! Previews begin at the Samuel J. Friedman Theater this December with an opening set for sometime in January 2027. The cast will be headed by Tony winner Danny Burstein (Moulin Rogue, Marjorie Prime), Tony nominee Jessica Hecht (currently in Dog Day Afternoon), and Tony nominee Jeremy Shamos (Clybourne Park). Tyne Rafaeli (Data) directs in her Broadway debut. 

“Awake and Sing! is one of the great masterpieces of our canon—it makes you laugh and breaks your heart in one fell swoop,” said MTC Artistic Director Nicki Hunter. “Though Odets wrote this story of a family caught between the life they imagined and the one they were saddled with nearly a century ago, its questions of ambition and sacrifice feel as timely as ever. I’m thrilled to bring the wildly talented Danny Burstein, Jessica Hecht, and Jeremy Shamos back to the Friedman stage. With Tyne Rafaeli—who will make her Broadway debut with this production—at the helm, I look forward to sharing the power of this play with our audiences.”

Off-B'way Review: Indian Princesses

Serenity Mariana, Haley Wong, Lark White,
Anissa Marie Griego and Rebecca Jiminez
in Indian Princesses.
Credit: Ahron R. Foster

The pain of adolescence and being labelled as different is conveyed with humor and compassion in Eliana Theologides Rodriguez’s insightful comedy Indian Princesses, now at Atlantic Theatre Company’s Linda Gross Theater. The title refers to a father-daughter YMCA bonding program modeled on the Boy Scouts, but as the author explains in a program note, the well-intentioned activity is based on a “pernicious fiction.” An Indian Princess “is an archetype invented to justify the ongoing brutalities of colonization.” Ironically, five middle-school-aged, mixed-race girls spend a formative summer with their white fathers but fall victim to the program’s stereotyping cliches and the cruelty of the other girls’ tribes. The results are a deeper understanding of the young girls’ cultures and uncomfortable confrontations for the dads.

Each of the potential “princesses” and their conflicted pops are drawn with telling details. Andi, the eldest at 12 (entertainingly sullen yet suffering Rebecca Jimenez), longs for more information on her late Mexican Mom. Her macho working-class Anglo father Mac (Pete Simpson, expert at conveying subtext) refuses to open up to her. Whimsical Maisie (delightfully smart and perceptive Lark White), is obsessed with magic and fantasy while her unemployed, unfocused dad Wayne (soulfully struggling Ben Beckley) in an effort to protect from harsh reality, refuses to discuss her African-American background or the history of slavery. 

Anisa Marie Griego and Greg Keller
in Indian Princesses.
Credit: Ahron R. Foster

Well-meaning lawyer Chris (comically blundering Greg Keller) clumsily attempts to interject progressive ideas and attitudes into the gathering and to his strained relationship with his Native American stepdaughters, show-biz-crazy Lily (sweetly show-off-ish Anissa Marie Griego) and shy Hazel (enchanting Serenity Mariana). The group’s heavily religious “Chief” Glen (moving Frank Wood) is torn between keeping “politics” out of the program and acknowledging the raw truth of racism the girls have to face. His granddaughter Samantha (desperate and darling Haley Wong) is wracked with guilt for what she describes as “sinful thoughts.” 

Ben Beckley and Lark White in
Indian Princesses.
Credit: Ahron R. Foster

The Glen-Samantha storyline is the least developed here. We don’t find out why Samantha is living with her grandfather as opposed to with her parents or what she considers sinful. However, Wood and Wong fill in the missing backstory with subtle and layered performances, as does the entire cast. Director Miranda Cornell balances the dramatic and comic moments like an expert juggler. The troupe’s bizarre skit for the Indian Princesses’ Talent Night called “America the Beautiful” is a particularly wonderfully staged and written sequence. Chief Glen has written a wholesome, vanilla-flavored rendition of American history, suitable for a conservative audience. But each of the dads and daughters has their own agenda—Andi wants act on her secret crush on Chris; Chris wants to impose his “woke” sense of  diversity on Glen’s whitewashed version of our national past; Lily sees this as her big opportunity to sing and dance; and slightly embarrassed Wayne and Mac are just looking to bond with their girls. The resultant fiasco is a mess in terms of the story with the kids and parents stepping on each other’s lines, dropping props, and missing cues, but thanks to Cornell’s clear staging we understand each character’s objectives. 

This scene, along with the unspoken dialogue and incomplete sentences that mark the rest of this lovely play, tell us volumes about each of the unhappy daughters and their fathers. They’re all trying to love each other, but so much stands in the way. Rodriguez lovingly chronicles their efforts, failures and attempts to surmount the barrier of prejudice and to celebrate their heritages.

Emmie Finckel’s versatile set recreates a believable community center and the surrounding rustic woods while Mextly Couzin’s atmospheric lighting provides for several different additional locations. This is a beautiful and tender play of healing families and seeking one’s identity.

May 19—June 7. Atlantic Theater Company at the Linda Gross Theater, 336 W. 20th St., NYC. atlantictheater.org.

B'way Update: Other Desert Cities; Evita Dates and Theater

Julia Louis-Dreyfus, Ed Harris and
Allison Janney will star in Other Desert Cities.

Eleven-time Emmy winner Julia Louis-Dreyfus (Seinfeld, Veep, etc.) will make her Broadway debut in a revival of Jon Robin Baitz's Other Desert Cities, beginning previews at the Hudson Theater on Sept. 29 with an opening set for Oct. 18. She will co-star with Ed Harris, Allison Janney (seven Emmys), Joe Kerry, and Lily Rabe. Tony winner John Benjamin Hickey will direct.

“I had, more or less, talked myself out of imagining Other Desert Cities back in New York,” said playwright Baitz said in a statement. “But John Hickey is family to me, and I trust him completely. We go back longer than I ever imagined: he hears a play – its ideas, its feeling, its music – with an intelligence and knowingness that anchors a room. And with this company of actors a playwright dreams about, I thought that if there were still something alive in it, they would find it. What’s slightly unnerving is that nearly 20 years later, through all the fractures and divisions, the questions remain the same: how to live with who we are and what we’ve done and call that a life.”

Hickey said in a statement, “I have loved Robbie’s plays since he began writing them. I acted in two of them early in my career, and when I recently revisited Other Desert Cities, I was stunned at how relevant the play remains, maybe now more than ever. It’s an incredibly funny, surprising, and heartbreaking play about an American family. OUR American family. To be able to bring it back to Broadway, with this powerhouse ensemble of actors, and incredible creative team, is a dream come true.”

The play opened Off-Broadway at Lincoln Center's Mitzi Newhouse Theater in 2011 with a cast including Stockard Channing, Linda Lavin, Stacy Keach, Thomas Sadoski, and Elizabeth Marvel. Joe Matello directed. The production transferred to Broadway with Judith Light (who won a Tony Award for Best Featured Actress) and Rachel Griffiths replacing Lavin and Marvel.

The story concerns a family with political and show-biz connections facing a crisis over a Christmas holiday when the daughter announces she is writing a tell-all memoir, potentially exposing uncomfortable family secrets.

Batman Humor That Went Over My Head as a Kid, Part 5

Batman with Eric Shea as Andy

Come Back, Shame/It's the Way You Play the Game: Cliff Robertson satirizes Western cliches as Shame, instead of Shane as played by Alan Ladd. The references to that classic western proliferate including a little boy (played by Eric Shea) hero-worshipping the villain and following him around, crying "Come back, Shame." What's really concerning is this six-year-old kid is allowed to wander around Gotham City unsupervised. Even Batman and Robin don't bring him back to his parents after they escape from Shame's stampeding cattle, but just leave him to his own devices. 

This episode's window cameo is the weirdest one yet: Werner Klemperer in character as Col. Klink from Hogan's Heroes, but wearing 1966 clothes. He explained he was in Gotham City to catch a spy as if he were still in WWII and the Caped Crusaders tell him to say hi to Col. Hogan. How can a character from the 1940s exist in the 1960s? Only in the Batman 66 universe.

Comedian Jack Carter plays a radio dj but is unbilled.

Catwoman Goes to College/Batman Displays His Knowledge: Bruce Wayne acts as Catwoman's parole officer as she claims to be going straight--to college, majoring in criminality. Stanley Adams (Cyrano Jones from the Trouble with Tribbles episode of Star Trek) plays Capt. Courageous (wordplay on the movie title), an out-of-town cop who arrests Batman after Catwoman frames him. He gets to call the Caped Crusader a "costumed kook." In another cultural allusion, the head of a jewelry firm is named Amber Forever (instead of Forever Amber, a popular potboiler novel). Jacques Bergerac, a popular French actor who appeared on the Dick Van Dyke Show, plays Freddie the Fence. In addition to selling stolen goods, he's an expert swordsman, but not as good as Batman, of course. (In one lame bit, he has a meal of pasta strained through his fencing mask.) TV personality Art Linkletter who hosted People Are Funny appeared in the window cameo.

Book Review: The Best Short Stories 2024

(Ordered from Amazon)  Read for a class on short story reading. We would read two stories a week and then discuss them over Zoom. This collection follows a chronological time line, starting with stories on childhood and adolescence, moving to early adulthood and progressing to old age and death. Then the cycle starts over in the middle of the book. I preferred the strange, quirky stories like Morris Collins' "The Home Visit" and Dave Eggers' "The Honor of Your Presence" to sentimental tearjerkers like Brad Felver's "Orphans" and E.K.Ota's "The Paper Artist." The last story Allegra Hyde's sci-fi-ish "Mobilization" was a total surprise because it was so different for all the rest.