Ruben Santiago-Hudson, Linda Emond Among Equity Award Winners

Justin Boone and Ruben Santiago-Hudson
in Joe Turner's Come and Gone.
Credit: Julieta Cervantes

Just when you thought we were running out of theater awards, here comes another batch. The Actors' Equity Foundation Award winners have been announced. Presented by the stage actors' union, the accolades honor newcomers, veteran performers, and actors tackling classical roles. The 2026 Clarence Derwent Awards go to McKenzie Kurtz (Schmigadoon, Heathers) and Ali Louis Boutzgui (The Lost Boys). Established in 1945, the Derwent Awards are for the outstanding performances by those at the beginning of their careers.

The 2026 Richard Seff Awards will be presented to Ruben Santiago-Hudson (Joe Turner's Come and Gone) and Linda Emond (Becky Shaw). Established in 2004, the Seff Awards are for outstanding performers over 50 who have been in Equity for at least 25 years. 

The Joseph Calloway Award, established in 1989, for the best performances in a classic play goes to McKinley Belcher III (Titus Andronicus, Coriolanus) and Olivia Reis (Oedipus, Titus Andronicus).

The Judges Panel for the 2025-2026 seasonal performance awards included Joe Dziemianowicz, New York Theatre Guide; Adam Feldman, Time Out New York; Elysa Gardner, New York Sun, New York Stage Review; Kobi Kassal, Theatrely; and Frank Scheck, Hollywood Reporter, New York Stage Review. The awards will be presented on June 22 at the Green Fig in Manhattan in a ceremony hosted by Julie Halston.

Off-B'way/B'way Review: Animal Wisdom; The Emporium; Celebrity Autobiography

Kenita R. Miller in Animal Wisdom.
Credit: Ben Arons

The composer-theater artist Heather Christian has made a big splash with her previous work Oratorio for Living Things, garnering a shelfful of accolades including special New York Drama Critics Circle and Drama Desk awards. She is also a recipient of a MacArthur Genius grant. Though the music was lovely, I found the abstract choral piece vague and pretentious in its 2022 Ars Nova production. Her autobiographical Animal Wisdom now at Signature Theater after a run at Bushwick Star in 2017, is somewhat more satisfying, giving the audience more to hang onto. There are still long stretches of incomprehensible vocalizing, but there’s a stronger narrative arc here than in Oratorio. 

A note from the author-composer handed out before the Animal performance explains “It’s my life story, as clearly as I can tell it (which is not very clearly at all). It is a requiem within a requiem.” Audience members enter scenic designer Emmie Finckel’s fascinating environment—a combination of lush country garden and cosy antique store. Colorful flowers and plants alternate with shelves of knickknacks and curios, as well as a functioning soda dispenser and what appears to be an old-fashioned slot machine. The main performer “H” (incredibly talented Kenita R. Miller) explains the stories we are about to hear are from Heather, not her.

Then the piece begins. With the aide of a delightfully lively six-piece band, H unfolds her tale of growing up in Natchez, Mississippi where the invasive vegetation known as kudzu and catfish the size of buses proliferate. Spirits are also in abundance as H informs us two of her closest companions were the playful ghosts Victor and Johanna. Her late grandfather is now inhabiting her car and her grandmother is reincarnated as a red bird. The libretto doesn’t really fit into a neat, linear narrative. We get stories of H’s supernatural encounters and the eccentric characters who populate her childhood, but her attitudes towards them is fuzzy. Christian’s beautiful lyrical songs which Miller skillfully and movingly sings are sad and melodic, but the source of H’s sorrow and conflict is not clearly defined.

Schmigadoon! Dances Away With Chita Rivera Awards

The dance ensemble of Schmigadoon!
Credit: Matthew Murphy and
Evan Zimmerman

Schmigadoon! dances away with the most Chita Rivera Awards, honoring excellence in dance in NYC theater and film, presented May 18 at NYU Skirball (after having won Outstanding Musical and Choreography at the Drama Desks the night before). The musical parody of Golden Age tuners based on the Apple TV + series won for Christopher Gattelli's Choreography, Outstanding Ensemble and Outstanding Dancers. Max Clayton and Isabella McCalla of Schmigadoon! shared the award with Robert "Silk" Mason of Cats: The Jellicle Ball. Show-biz legend Ann-Margret (Bye Bye Birdie, Carnal Knowledge) was honored with a Lifetime Achievement Award (presented by Leslie Uggams) and the revue Gotta Dance! won the Douglas and Ethel Watt Critics Choice Award.

This year's awarding committee was chaired by Sylviane Gold, and also included Gary Chryst, Peter Filichia, Robert LaFosse, Wendy Perron, Stephanie Pope, and Lee Roy Reams.

Broadway and film categories have a separate nominating committee that oversees the nominations. This year's Broadway nominating committee included Caitlin Carter, Gary Chryst, Don Correia, Sandy Duncan, Peter Filichia, Dr. Louis Galli, Sylviane Gold, Jonathan Herzog, Robert La Fosse, Joe Lanteri, Michael Milton, Mary Beth O'Connor, Wendy Perron, Stephanie Pope, Lee Roy Reams, Andy Sandberg, and Randy Skinner. The Film nominating committee, chaired by Jonathan C. Herzog, comprised Steven Caras, Wilhelmina Frankfurt, Mary Beth O’Connor, and Andy Sandberg.

List of winners:

Outstanding Choreography in a Broadway Show
WINNER - Christopher Gattelli, Schmigadoon!
Lorin Latarro, Chess
Ellenore Scott, Ragtime
Ellenore Scott, Titaníque
Ani Taj, The Rocky Horror Show
Omari Wiles and Arturo Lyons, Cats: The Jellicle Ball

Outstanding Dancer in a Broadway Show
Jonathan Burke, Cats: The Jellicle Ball
Baby Byrne, Cats: The Jellicle Ball
WINNER - Max Clayton, Schmigadoon!
Zachary Downer, Schmigadoon!
Sydney James Harcourt, Cats: The Jellicle Ball
Dava Huesca, Cats: The Jellicle Ball
WINNER - Robert “Silk” Mason, Cats: The Jellicle Ball
WINNER - Isabelle McCalla, Schmigadoon!
Sarah Meahl, Chess
Constantine Rousouli, Titaníque
Layton Williams, Titaníque
Lyrica Woodruff, Schmigadoon!

Outstanding Ensemble in a Broadway Show
Cats: The Jellicle Ball
Chess
Ragtime
WINNER - Schmigadoon!
The Rocky Horror Show
Titaníque

70th Drama Desks Spread the Wealth

Nygel D. Robinson and Brian
Quijada of Mexodus, won 
for Outstanding Book and Music
at the Drama Desk Awards.

Two Broadway shows, The Balusters and Schmigadoon, won the top awards of Outstanding Play and Musical at the 70th annual Drama Desk Awards, presented on May 17 at Town Hall in a three-hour ceremony. The remainder of the 36 awards and seven special awards were distributed among 18 other productions both on and Off-Broadway. Unlike the Broadway-only Tonys, the DDs include on, Off and Off-Off-Broadway in each of its multiple categories. The revival of Ragtime took home the most awards with five including Outstanding Revival of a Musical, Director (Lear de Bessonet), two for Lead Musical Performance (Joshua Henry and Caissie Levy) and Featured Musical Performance (Ben Levi Ross). Death of a Salesman won four including Outstanding Revival of a Play, Director of a Play (Joe Mantello, winning his fourth DD), Lighting and Set Design for a Play. This places Balusters, Schmigadoon, Salesman and Ragtime in the frontrunner positions of the upcoming Tony Awards on June 7.

The show was hosted by Marla Mindelle, star and co-author of Titanique now on Broadway which received DD nominations for its Off-Broadway run. Mindelle joked that the awards were named for Andromeda Desk, an obscure actress, and performed a brief musical number with two dancers from Death Becomes Her. She also performed an introductory comedy monologue, quipping that We'll I Let You Go was what her agent said after a bad audition for In Transit.

Presenters included Beth Leavel, Bryce Pinkham, Constance Wu, Norbert Leo Butz, Christopher Fitzgerald, Donna McKechnie, BD Wong, Doug Wright, Bess Wohl, Jenn Colella, Ethan Slater, Javier Muñoz, Nikiya Mathis, Daniel Breaker, Helen J Shen, Whitney White, Alex Brightman, Ann Harada, Hunter Foster, Lea DeLaria, Zhailon Levingston, John Ortiz, Whitney Leavitt, Jasmine Cephas-Hones, Ali Louis Bourzgui, Liisi LaFontaine, Solea Pfeiffer, David Zayas, Liza Colon Zayas, Jon Cryer, Paul Tazewell, Rafael Espinal of the Mayor's Office of Media and Entertainment, Qween Jean, Mark Strong, and Zhailon Levingston. 

The presenter banter by Kevin Zak was brief and witty. Lea DeLaria did ad-lib brilliantly as John Lithgow, winner of Outstanding Lead Performance in a Play for Giant, made his way to the stage by improvising a song "Take your time, John Lithgow." Lithgow hugged co-presenter BD Wong and revealed he had lost a Drama Desk Award when he co-starred with Wong in M. Butterfly in 1988. Lithgow said he did some research and found out this was his fifth Drama Desk Award. He also revealed his co-winner in the category, Lesley Manville for Oedipus, also won with him last year when they both were victorious at the Olivier Awards when both shows were in London. They might repeat theirs wins at the Tonys. Four years ago, the DDs made all performance categories non-gendered, doubled the number of nominees, and changed the rules so the top two voter-getters both win. Sometimes, two men win, sometimes two women, sometimes one of each gender. In the case of ties, there have been three winners. The only tie this year was for choreography which was shared by Schmigadoon and Cats: The Jellicle Ball.

The most memorable acceptance gesture was provided by Christopher Lowell of the Marjorie Prime outstanding ensemble who set offer a series of confetti canons on his way to the stage.

Cynthia Nixon, Christopher Lowell,
and Danny Burstein
accept Outstanding Ensemble for
Marjorie Prime.

Entertainment was provided by Liz Callaway singing "The Story Goes On" from Baby by David Shire and Richard Maltby Jr, honorees for the William Wolf Award. The songwriting team whose About Time was named Outstanding Revue earlier in the evening, gave their acceptance speeches from the audience. There was also a medley of songs from Disney musicals performed by Rodney Ingram, Kissy Simmons, Sierra Boggess, Ainsley Melham, and Zachary Noah Piser in tribute to Thomas Schumacher, former president of Disney Theatrical Productions who was receiving the Harold S. Prince Award. 

A video presentation hosted by Drama Desk Historian Leslie Hoban Blake documented the history of the Drama Desks and featured interviews with six Drama Desk icons--Gretchen Cryer, Andre De Shields, Richard Maltby Jr., Austin Pendleton, Jennifer Tipton, and Maury Yeston. The icons then come on stage to receive bouquets of flowers and a standing ovation. There was also an announcement that the following year's ceremony with take place at the Shed.

This year’s awards were produced by Drama Desk Awards Productions, a venture of Scene Partners in partnership with the Season. Chaired by the Martha Wade Steketee (UrbanExcavations.com), the 2026 nominating committee which saw and considered 270 productions this season includes Linda Armstrong (Amsterdam News), Daniel Dinero (Theater Is Easy), Peter Filichia (Broadway Radio), Kenji Fujishima (freelance, Theatermania), Margaret Hall (Playbill.com) and Raven Snook (TDF).  Charles Wright and David Barbour are co-presidents. The Drama Desk considers Broadway, Off-Broadway and Off-Off-Broadway in each of its multiple categories. 

Here is a list of the 2025-26 Drama Desk nominees and winners:

Outstanding Play
Caroline, by Preston Max Allen
Cold War Choir Practice, by Ro Reddick
Meet the Cartozians, by Talene Monahon
Prince Faggot, by Jordan Tannahill
WINNER - The Balusters, by David Lindsay-Abaire
The Porch on Windy Hill, by Sherry Stregack Lutken, Lisa Helmi Johanson, Morgan Morse, and David M. Lutken
Well, I’ll Let You Go, by Bubba Weiler

Outstanding Musical
Beau the Musical
Mexodus
WINNER - Schmigadoon!
The Seat of Our Pants
Two Strangers (Carry a Cake Across New York)

Off-B'way Review: Kenrex; Masquerade

Jack Holden in Kenrex.
Credit: Matthew Murphy

It’s hard to believe that Jack Holden is British since the solo star and co-writer of Kenrex, the one-man thriller at the Lortel Theater after an Olivier-winning run in London, so convincingly recreates an entire American Midwestern town in the midst of a crisis. Based on an actual case, this true-crime narrative focuses on the tiny municipality of Skidmore, Missouri where the title character bullied and dominated everyone around him until the law-abiding citizens could take no more. Kenneth Rex McElroy stole cattle, committed arson and rape, and even attempted murder, but got away with each of his numerous offenses thanks to a slick attorney. Feeling betrayed by the legal system, the Skidmoreans finally took the law into their own hands. Holden and co-author Ed Stambollouian, who also directs with imagination, tells this grim story through the eyes of a disillusioned prosecutor. It’s a chilling cautionary tale leaving this viewer severely shaken and unsure of what he would have done had he been there in Skidmore that day in 1981 when Kenrex met his fate.

Augmented by the symphonic, immersive sound design by Giles Thomas and John Patrick Elliott’s pulsating score combining rock and country idioms, the tale unfolds with hypnotic intensity, starting with the frantic 911 call by Kenrex’s hysterical teenage bride and then progressing through interviews with the prosecutor and the FBI to flashbacks of Kenrex’s decades-long reign of terror. 

Drama League Awards to Josh Henry, Mexodus, Liberation

Joshua Henry of Ragtime won
the Drama League Award for 
Outstanding Performance.

The 92nd Drama League Awards were presented on May 15 at the Ziegfeld Ballroom to Joshua Henry (Outstanding Performance) of Ragtime (which was named Outstanding Revival of a Musical), Mexodus (Outstanding Production of a Musical), and Liberation (Outstanding Production of a Play). Additional winners included Death of a Salesman (Revival of a Play) and its director Joe Mantello (Director of a Play). Lear de Besonnet was voted Outstanding Director of a Musical for Ragtime. Frank DiLella of NY-1 hosted the ceremony. Presenters included Bryan Cranston, Bebe Neuwirth, Nathan Lane, Brian Stokes Mitchell, John Lithgow, Christopher Ashley and Whitney White. Even though Liberation was presented Off-Broadway last season, Drama League rules permit for transfers from Off-Broadway to on to be considered in both years. Joshua Henry has already won the Outer Critics Circle Award and is nominated for the Drama Desk and Tony.

The previously announced Special Honorees were presented as follows: Tony Award-winning producer David Stone presented the Distinguished Achievement in Musical Theater award to the Olivier and Grammy-nominated actress Caissie Levy; Tony Award and Pulitzer Prize-winning actor and playwright Tracy Letts presented the Founders Award for Excellence in Directing to Tony Award-winning director David Cromer; Tony Award winning actor and director Ruben Santiago-Hudson presented the Contribution to the Theater Award to Executive Producer of the Apollo Theater Kamilah Forbes; and Tony Award-winning scenic designer David Rockwell presented the Gratitude Award to Tony nominee and Olivier Award winner Scott Ellis.

A complete list of winners follows:

Book Review: Too Much Money

(Bought at the Center for Fiction bookstore in Brooklyn for $5): After having read the memoirs of Dominick Dunne and his son Griffin, I picked up this last novel of Dunne's on a cart of discounts in Brooklyn. It's like eating an entire box of chocolates. You know it's not good for you, but the treats are so sweet and yummy, you keep munching on them. At barely over 260 pages, the story flies by. Dunne's stand-in Gus Bailey, an intrepid high-society journalist faces twin crises--a slander lawsuit and the wraith of a wealthy widow who may or may not have engineered her husband's death in a fire. Meanwhile, a disgraced financier and his ambitious wife plot to regain a foothold in New York Page Six land after his release from prison. They made numerous philanthropic contributions (Now I know why the NY Public Library was renamed.) 

I suppose part of the fun of Dunne's books is guessing who his ultra-rich, entitled characters are based on. Brooke Astor, Klaus von Bulow, Barbara Walters, Larry King make appearances. I'm not familiar enough with the upper echelons of Gotham grandeur to recognize all of the dramatis personae, but it's great deal of juicy fun to follow their vicious doings. It appears Dunne worked on this final tell-all as he was dying and wanted to get some final licks in. 

I imagine this is what Truman Capote's Answered Prayers would have been like if he ever finished it. I needed a quick light read and this was it. There's too much repetition of events as if we're watching a soap opera and may have forgotten the events of yesterday's episode. But that's a minor quibble. Perhaps I'll try some of Dunne's earlier, longer works.