Drama League Awards to Josh Henry, Mexodus, Liberation

Joshua Henry of Ragtime won
the Drama League Award for 
Outstanding Performance.

The 92nd Drama League Awards were presented on May 15 at the Ziegfeld Ballroom to Joshua Henry (Outstanding Performance) of Ragtime (which was named Outstanding Revival of a Musical), Mexodus (Outstanding Production of a Musical), and Liberation (Outstanding Production of a Play). Additional winners included Death of a Salesman (Revival of a Play) and its director Joe Mantello (Director of a Play). Lear de Besonnet was voted Outstanding Director of a Musical for Ragtime. Frank DiLella of NY-1 hosted the ceremony. Presenters included Bryan Cranston, Bebe Neuwirth, Nathan Lane, Brian Stokes Mitchell, John Lithgow, Christopher Ashley and Whitney White. Even though Liberation was presented Off-Broadway last season, Drama League rules permit for transfers from Off-Broadway to on to be considered in both years. Joshua Henry has already won the Outer Critics Circle Award and is nominated for the Drama Desk and Tony.

The previously announced Special Honorees were presented as follows: Tony Award-winning producer David Stone presented the Distinguished Achievement in Musical Theater award to the Olivier and Grammy-nominated actress Caissie Levy; Tony Award and Pulitzer Prize-winning actor and playwright Tracy Letts presented the Founders Award for Excellence in Directing to Tony Award-winning director David Cromer; Tony Award winning actor and director Ruben Santiago-Hudson presented the Contribution to the Theater Award to Executive Producer of the Apollo Theater Kamilah Forbes; and Tony Award-winning scenic designer David Rockwell presented the Gratitude Award to Tony nominee and Olivier Award winner Scott Ellis.

A complete list of winners follows:

Book Review: Too Much Money

(Bought at the Center for Fiction bookstore in Brooklyn for $5): After having read the memoirs of Dominick Dunne and his son Griffin, I picked up this last novel of Dunne's on a cart of discounts in Brooklyn. It's like eating an entire box of chocolates. You know it's not good for you, but the treats are so sweet and yummy, you keep munching on them. At barely over 260 pages, the story flies by. Dunne's stand-in Gus Bailey, an intrepid high-society journalist faces twin crises--a slander lawsuit and the wraith of a wealthy widow who may or may not have engineered her husband's death in a fire. Meanwhile, a disgraced financier and his ambitious wife plot to regain a foothold in New York Page Six land after his release from prison. They made numerous philanthropic contributions (Now I know why the NY Public Library was renamed.) 

I suppose part of the fun of Dunne's books is guessing who his ultra-rich, entitled characters are based on. Brooke Astor, Klaus von Bulow, Barbara Walters, Larry King make appearances. I'm not familiar enough with the upper echelons of Gotham grandeur to recognize all of the dramatis personae, but it's great deal of juicy fun to follow their vicious doings. It appears Dunne worked on this final tell-all as he was dying and wanted to get some final licks in. 

I imagine this is what Truman Capote's Answered Prayers would have been like if he ever finished it. I needed a quick light read and this was it. There's too much repetition of events as if we're watching a soap opera and may have forgotten the events of yesterday's episode. But that's a minor quibble. Perhaps I'll try some of Dunne's earlier, longer works.

B'way Update: Paranormal Activity; Celebrity Autobiography; Etc.

Melissa James and Patrick Heusinger in
Paranormal Activity in London.
Credit: Johan Persson

As the 2025-26 theatrical season draws to a close, there's lots of news about the 2026-27 schedule. Two new off-beat productions have been announced, a Shakespeare revival from London finds a home and dates, an Off-Broadway revival with a rotating star-filled cast is coming, and Weird Al Yankovic is working on a show.

Paranormal Activity: A New Story Live on Broadway (in case you think it's a movie), a new play inspired by the popular film franchise, will begin previews at the August Wilson Theater on Aug. 14 prior to a Sept. 15 opening. Written by Levi Holloway (Grey House) and directed by Felix Barrett (Sleep No More), the production will come to Broadway directly from its run in Boston, following stands in Chicago, Los Angeles, Washington, DC, and San Francisco as well as an Oliver-nominated edition in London's West End.

The plot follows James and Lou who have relocated from Chicago to London in hopes of escaping their past, but they discover "place aren't haunted, people are."

Meanwhile, the first show of the 2026-27 season will open soon. Celebrity Autobiography, the revue featuring actors reading from the memoirs of famous people, will return to the New York stage for a summer run. The show which will feature a rotating cast starts previews at the Shubert Theater May 16, opens May 18 and runs througb Aug. 16. Autobiography played the Triad Theater Off-Broadway in 2008-09 and won a Drama Desk Award for Unique Theatrical Experience.

The opening night cast includes Scott Adsit, Mario Cantone, Jeff Hiller, Jackie Hoffman, Gayle King, Andrea Martin, Bobby Moynihan, Ben Mankiewicz (of TCM), Kenan Thompson, Nia Vardalos, and Rita Wilson.

Speaking of rotating all-star casts, Eric Bentley's Are You Now or Have You Ever Been?, about the 1950s House UnAmerican Activities Committee hearings, will also have a limited summer run and feature a revolving company. Tony winner Anna D. Shapiro (August: Osage County) directs. The cast(s) have yet to be announced. Performances at New York City Center Stage I begin June 2. The play which features transcripts from the HUAC testimony of Jerome Robbins, Lillian Hellman, Arthur Miller, Sterling Hayden and many others played Off-Broadway in the 1970s. There was a brief Broadway run in 1979.

Book Review: The Little Friend

(Borrowed from the 40th St. NYPL)  I enjoyed Donna Tartt's The Goldfinch and The Secret History, so I thought I'd give this second novel of hers a try. It was certainly involving and absorbing and kept me interested for over 600 pages. The characters were portrayed with detail and compassion, even the slimy criminals. It reminded me of To Kill a Mocking Bird. Twelve-year-old Harriet spends a summer in the 1970s in her small Mississippi town searching for the killer of her brother who has found strung up on a tree ten years ago. The town of Alexandria comes alive in Tartt's fascinating descriptions. I loved Harriet's no-nonsense grandmother Edie and the put-upon yet determined black housekeeper Ida Rhew. Edie's many sisters and the downtrodden Ratcliffe clan also are vibrantly portrayed.

The exact time period was a little unclear. The many TV, movie and music references ring true, but they are not consistent. Ida and Harriet's sister Allison are obsessed with Dark Shadows, the supernatural TV soap opera, which ended in 1971 yet a child has a Star Wars figure which didn't come to theaters until 1977.  

Without revealing any spoilers, the ending left me confused and unsatisfied, but I relished the entire book. Tartt is a major talent.

Ragtime and Schmigadoon Tie for Most OCC Awards

Ragtime won 5 OCC Awards.
Credit: Matthew Murphy

Ragtime and Schmigadoon have tied for the most awards bestowed by the Outer Critics Circle, receiving five each. Ragtime was voted Outstanding Musical Revival and Schmigadoon won for Outstanding Broadway Musical. The OCC, founded during the 1949-50 Broadway season, is composed of about 85 writers on theater for national, out-of-town, and digital media, and divides between Broadway and Off-Broadway in some categories and combines them in others. The awards will be presented on May 21 at Manhattan Movement and Arts Center. Mexodus was named Outstanding Off-Broadway Musical. David Lindsay-Abaire's The Balusters won for Outstanding Broadway Play and Talene Monahan's Meet the Cartozians was voted Outstanding Off-Broadway Play. The John Gassner Award for a new play preferably by a new playwright will be shared by Ro Reddick's Cold War Choir Practice and Bubba Weiller's Well, I'll Let You Go, since the two plays received an equal number of votes.

Read the full list of nominees and winners below:

Outstanding New Broadway Musical
The Lost Boys
WINNER - Schmigadoon!
Two Strangers (Carry a Cake Across New York)

Outstanding New Off-Broadway Musical
Beau the Musical
Goddess
WINNER - Mexodus
Oratorio for Living Things
Saturday Church

Outstanding New Broadway Play
WINNERS - The Balusters
Giant
Little Bear Ridge Road
Oedipus
Punch

Outstanding New Off-Broadway Play
Angry Alan
WINNER - Meet the Cartozians
The Monsters
Prince Faggot
The Reservoir

John Gassner Award (for a new American play preferably by a new playwright)
Call Me Izzy, Jamie Wax
Caroline, Preston Max Allen
WINNER - Cold War Choir Practice, Ro Reddick (tie)
Data, Matthew Libby
WINNER - Well, I'll Let You Go, Bubba Weiler (tie)

Off-B'way Review: Hamlet at BAM

Hiran Abeysekera in Hamlet.
Credit: Julieta Cervantes

Is Hamlet actually mad? That’s a question that has bedeviled scholars since the first performance of Shakespeare’s greatest play and is rarely addressed in modern productions. Most stagings I have seen (at least 20 on stage, film or TV that I can recall) assume that the Melancholy Dane’s antic disposition is a put-on job to distract from his investigation of his uncle Claudius murdering the king, Hamlet’s father. Robert Hastie’s elegant, somewhat flawed production imported from the National Theater to BAM’s Harvey stage, leaves the question of the hero’s sanity open and thus delivers an intriguing and challenging interpretation of one of the world’s most produced classics. 

Set in an opulent ballroom (Ben Stones designed the majestic sets and smart costumes, creatively lit by Jessica Hung Han Yun) and starring a youthful, frenetic lead (vibrant Hiran Abeysekera), this Hamlet takes a fresh, different approach to a familiar classic and finds new insights. 

Hiran Abeysekera and Matthew Cottle in
Hamlet. Credit: Julieta Cervantes

Take for example the closet scene wherein Hamlet murders the elderly advisor Polonius mistaking him for the treacherous Claudius. Without revealing any spoilers, Hastie’s staging is truly shocking and surprising, causing the audience to doubt Hamlet’s sanity…and perhaps their own. Hastie then has the Dane address empty air rather than the actor playing the ghost of his father (as per usual), further complicating our perceptions. Was the ghost an illusion the whole time, a figment of Hamlet’s fevered imagination? 

Theater World Awards

Elliot Levey, Rachael Stirling and
John Lithgow in Giant.

Theater award just keep pouring in. The winners and location of the 80th Theater World Awards for outstanding Broadway and Off-Broadway debut performances have been announced. The awards will be presented on June 2 at the Longacre Theater, home of Two Strangers (Carry a Cake Across New York). Theater journalist Peter Filichia will host. Rachael Stirling of Giant will receive the 17th annual Dorothy Loudon Award for Excellence in Theater. 

2026 Theatre World Award Honorees
For Outstanding Broadway or Off-Broadway Debut Performance
during the 2025-2026 theatrical season

Ben Ahlers, Death of a Salesman
LJ Benet, The Lost Boys
Madeline Brewer, Becky Shaw
Adrien Brody, The Fear of 13
Ayo Edebiri, Proof
Alden Ehrenreich, Becky Shaw
Luke Evans, The Rocky Horror Show
Will Harrison, Punch
River Lipe-Smith, Caroline
Lesley Manville, Oedipus
Robert "Silk" Mason, Cats: The Jellicle Ball
Sam Tutty, Two Strangers (Carry a Cake Across New York)

The Theatre World Award honorees are chosen by the Theatre World Awards Committee which is comprised of Linda Armstrong (Amsterdam News), David Cote (The Observer), Joe Dziemianowicz (New York Daily News, Emeritus), Peter Filichia (The Newark Star-Ledger, Emeritus), David Finkle (New York Stage Review), Elysa Gardner (USA Today, Emeritus), Cary Wong (Freelance), and Frank Scheck (The Hollywood Reporter).