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| Carrie Coon and Namir Smallwood in Bug. Credit: Matthew Murphy |
Set in a grubby Oklahoma motel room (memorably shoddy set design by Takeshi Kata), the plot focuses on two pathetic loners, beset by tragedy, filling up their empty souls and rationalizing their misery with insane convictions of Big-Brother mind control. Agnes (a magnificently tortured Carrie Coon, Letts’ spouse) is scraping by as a cocktail waitress, contending with an abusive ex-husband just out of stir who wants back in her life. She meets Peter (a haunted and numb Namir Smallwood), a seemingly sympathetic drifter who gradually reveals a dangerous belief system. A persistent toothache and an insect sighting are early warning signs that all is not right with Peter. As Peter draws Agnes into his maze of misconceptions, she abandons all reason and joins him in a demented nightmarescape (Kata’s increasingly spooky set, Heather Gilbert’s unsettling lighting and Josh Schmidt’s eerie sound design complete the Twilight Zone-like environment.)

