Francis Guinan and K. Todd Freeman in Downstate. Credit: Joan Marcus |
This year instead of a live ceremony, the Obies were presented on NY-1's On Stage program. In lieu of the annual awards ceremony, the American Theatre Wing dedicated funds to the support and growth of the artists, by bestowing winners with grants ranging from $1,000-5,000.
The winners of The 67th Obie Awards are:
BEST NEW AMERICAN PLAY
- Ryan J. Haddad, Dark Disabled Stories (The Bushwick Starr | The Public Theater)
PLAYWRITING
- Hansol Jung, Wolf Play (MCC Theater | Soho Rep | Ma-Yi Theater Company)
- Bruce Norris, Downstate (Playwrights Horizons | Steppenwolf Theatre Company |National Theatre)
DIRECTION
- Dustin Wills, Montag (Soho Rep), Wet Brain (Playwrights Horizons and MCC Theater), and Wolf Play (MCC Theater | Soho Rep | Ma-Yi Theater Company)
- Shayok Misha Chowdhury, Public Obscenities (Soho Rep | National Asian American Theatre Company)
- Faye Driscoll, Weathering (New York Live Arts)
SUSTAINED ACHIEVEMENT IN DIRECTING
- Eric Ting, The Far Country (Atlantic Theater Company) and The Comeuppance (Signature Theatre Company)
- Pam MacKinnon, Downstate (Playwrights Horizons | Steppenwolf Theatre Company| National Theatre)
- William Jackson Harper, Primary Trust (Roundabout Theatre Company)
- Marla Mindelle, Titanique (Eva Price)
- Zuleyma Guevara, Sancocho (The Sol Project | Latinx Playwrights Circle | WP Theater)
- Maryann Plunkett, Deep Blue Sound (Clubbed Thumb)
SUSTAINED ACHIEVEMENT IN PERFORMANCE
- Shannon Tyo, The Comeuppance (Signature Theatre Company), The Far Country (Atlantic Theater Company), and Regretfully, So The Birds Are (Playwrights Horizons | WP Theater)
- John Douglas Thompson, Endgame (Irish Repertory Theatre) and Hamlet (The Public Theater)
- K. Todd Freeman, Downstate (Playwrights Horizons)
DESIGN
- Enver Chakartash (Costumes), Public Obscenities (Soho Rep | National Asian American Theatre Company), Toros (Second Stage Theater), The Trees (Playwrights Horizons | Page 73), Wolf Play (MCC Theater | Soho Rep | Ma-Yi Theater Company), Catch As Catch Can (Playwrights Horizons), and I’m Revolting (Atlantic Theater Company)
- Barbara Samuels (Lights), Public Obscenities (Soho Rep | National Asian American Theatre Company), Wolf Play (MCC Theater | Soho Rep | Ma-Yi Theater Company), Becky Nurse of Salem (Lincoln Center Theater), and Toros (Second Stage Theater)
SUSTAINED ACHIEVEMENT IN DESIGN
- dots (Sets) Collective: Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa, Public Obscenities (Soho Rep | National Asian American Theatre Company), Dark Disabled Stories (The Bushwick Starr | The Public Theater), Events (The Hearth Theater Company), Infinite Life (Atlantic Theater Company), Deep Blue Sound (Clubbed Thumb), and Grief Hotel (Clubbed Thumb)
- Mikaal Sulaiman (Sound), The Half God of Rainfall (New York Theatre Workshop), Primary Trust (Roundabout Theatre), Des Moines (Theatre For A New Audience), Evanston Salt Costs Climbing (The New Group)
SPECIAL CITATIONS
- Ensemble of Dark Disabled Stories (The Bushwick Starr | The Public Theater) Ryan J. Haddad, Dickie Hearts, and Alejandra Ospina
- Design Team of Wet Brain (Playwrights Horizon | MCC Theater): Kate Noll (Set), Cha See (Lights), Haydee Zelideth Antuñano (Costumes), Tei Blow (Co-Sound), John Gasper (Co-Sound), and Nick Hussong (Projections)
- Ensemble of The Comeuppance (Signature Theatre Company) Brittany Bradford, Caleb Eberhardt, Susannah Flood, Bobby Moreno, and Shannon Tyo
- Liza Birkenmeier (Writer) and Tara Ahmadinejad (Director) of Grief Hotel (Clubbed Thumb)
- Lead Actors of Montag (Soho Rep) Ariana Venturi and Nadine Malouf
- Intimacy Coordinators of Color and Ann C. James (Founder and Mentor)
LIFETIME ACHIEVEMENT
- Peggy Shaw and Lois Weaver (writing and performing duo of Split Britches)
- Carole Rothman (Co-Founder and Artistic Director of Second Stage)
THEATRE GRANTS
- Breaking the Binary Theatre Company
- Dominican Artists Collective (DAC)
- The Brick
ROSS WETZSTEON AWARD
- Under the Radar Festival (Mark Russell as Founder)
MICHAEL FEINGOLD AWARD
- Andrew Morrill for their work as Director of Artistic Sign Language and Alison Kopit for Access Dramaturgy of Dark Disabled Stories (The Bushwick Starr | The Public Theater)
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