Showing posts with label George C. Scott. Show all posts
Showing posts with label George C. Scott. Show all posts

Sunday, August 8, 2021

Theater Memories Part 5: Theater on TV

In the past few days, I've listed my memories of summer stock, national tours, out of town tryouts and regional productions. Next is TV productions of theater. Before moving to NYC, TV was my main means of seeing theater. Some video recollections:

Much Ado About Nothing (1974) A TV version of the Joseph Papp-produced revival with Sam Waterston, Kathleen Widdoes, Barnard Hughes, Douglas Watson (from Another World) and, I believe, Christopher Walken's younger brother. Papp's first production in his deal with CBS. I watched it at my grandparents' house while my family was visiting downstairs for the grandparents' anniversary party. I was 15.

Sticks and Bones: David Rabe's controversial Vietnam-shatters-the-American-family play ended Papp's deal with CBS. Tom Aldredge recreated his stage performance and Anne Jackson replaced Elizabeth Wilson.

Wedding Band: Papp subsequently presented some shows on ABC. Ruby Dee, Eileen Heckart, JD Cannon and Polly Holliday were brilliant in Alice Childress' play about interracial love in 1918.

Sunday, July 18, 2021

Encounters with Mike Nichols: A Book Review and Memories

Mark Harris' comprehensive biography of wonder boy director Mike Nichols is over 600 pages but reads like a shot. There are literally hundreds of top-name show-biz figures interviewed and quoted directly, giving a multi-faceted, complete picture of the subject's diversified career. (It is weird to read quotes from Scott Rudin, the now disgraced producer who has withdrawn from an active role in all of his productions due to his toxic behavior). Nichols was one of the few directors to achieve prominence in film, theater and TV, winning the top awards in all three plus a Grammy for his comedy recordings with Elaine May.

My earliest memories of Nichols were listening to those LPs with May. Their hilarious sketches recreated the push-pull war between the sexes as well as commented on contemporary foibles of society with satire by turns gentle and barbed. I used to do imitations of the pair at post-performance parties for the community theaters in which I acted. The one time I encountered May in person was at an awards event where her partner the legendary movie director Stanley Donen was a presenter. I told her I loved her and Nichols' routines and would do them at the drop of a hat. She said "Do one now." So I did the first few minutes of the Telephone sketch. She said, "It's amazing that you remember all that." I now wish I had done the Mother and Son sketch ("Hello, Arthur, this is your mother. Do you remember me?")

Thursday, January 25, 2018

My First Show in Every Broadway Theater

A recent trend on Facebook is to list the first show you saw in every Broadway theater. I thought it would be easy for me, but my memory is not as razor sharp as it used to be. Plus I no longer keep all my Playbills in either chronological or alphabetical order. So I had to go online and actually do research. Internet Broadway Data Base (ibdb) which lists every show ever played in every theater, was most useful. Other sites only listed major long-running hits. It was fun and raised a lot of memories. Here's my list along with anecdotes and thoughts. 
Ambassador: DREAMGIRLS--a revival
American Airlines: THE MAN WHO CAME TO DINNER--This was the first production in the new AA Theater
Atkinson: THE DRESSER--on a trip to NYC while I was in college in Philly.
Robert Duvall, John Savage, and Kenneth McMillan
in David Mamet's American Buffalo
Barrymore: LILLIAN--Zoe Caldwell in a one-woman show as the playwright Lillian Hellman.
Beaumont: THE FRONT PAGE (John Lithgow, Richard Thomas)
Belasco: AMERICAN BUFFALO (w/Robert Duvall)--I was in high school and my family took a trip to NYC for a weekend and I crammed in as many shows as possible. Duvall was brilliantly scary.
Bernard B. Jacobs (Royale): YOU CAN’T TAKE IT WITH YOU (Eddie Albert, Frances Sternhagen, Colleen Dewhurst, George Rose)--I got cheap seats from Audience Extras when I first moved to Gotham. This revival had been running a while. Eddie Albert had replaced Jason Robards as Grandpa.
Booth: GOOD--a British play about a well-meaning German who gradually becomes a high-ranking Nazi.
Broadhurst: LONG DAY’S JOURNEY INTO NIGHT (Jack Lemmon, Kevin Spacey)