The second piece shows Vonnegut's progression into the dark satire for which he become renowned in the late 1960s and '70s with Slaughterhouse-Five and Breakfast of Champions. The central character is Gil Berman, a stand-up comic like Lenny Bruce and Vonnegut himself who dispenses uncomfortable truths in the form of wisecracks. This fragment is funny and details the comic's encounter with a deranged fan at a performance in Northhampton, Mass. We also are treated to Gil's visits to mental hospitals. A transcript of a session with a female pscyhiatrit reads like a Marx Brother routine.
The two stories together show Vonnegut's progression from easy satisfying fiction to dangerous cynical commentary. It made me think of the main character in Bluebeard, the artist who gives up realistic portraiture for abstract expression. When his furious wife asks why can't be just paint pretty pictures everyone can understand and relate to (and therefore make more money) instead of the weird challenging, unprofitable material he's been churning out, he replies, "Because that's too easy." It was too easy for Vonnegut to make simple stories. The harder stuff was what he wanted to write.
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