Sutton Foster and Aaron Tveit will star in Sweeney Todd Credit: Matthew Murphy |
Ato Blankson-Wood |
Sutton Foster and Aaron Tveit will star in Sweeney Todd Credit: Matthew Murphy |
Ato Blankson-Wood |
Eden Espinosa and George Abud in Lempicka at La Jolla Playhouse. Credit: Matthew Murphy |
(Bought for $4.95 at Central Books, Doylestown, PA) Hollywood Reporter Executive Editor Stephen Galloway's detailed account of the intense, rollercoaster relationship between Laurence Olivier and Vivien Leigh, two of the most glamorous stars of the 20th century, relies mostly on other biographies, letters, diary entries, and memoirs including those of Olivier himself. There are some original interviews and new insights into Leigh's misunderstood mental illness from psychologists. The emphasis is on the romance and break-up with additional commentary on their stage and film projects. Leigh was the big star when she unexpectedly grabbed the most sought-after female role in Hollywood history--Scarlett O'Hara in Gone With the Wind. She etched another screen memory into history with her Blanche DuBois in Streetcar Named Desire. Olivier had to take a back seat until he broke through with definite Shakespeare interpretations of Titus Andronicus, Henry V, Richard III, and Hamlet. Leigh's star faded as Olivier's burned brighter. A cruel industry with few roles for older women shut her out. Plus her mental instability drove Olivier away and into the arms of the more stable and centered Joan Plowright. A fascinating read, but I would have liked more information about the filming of The Roman Spring of Mrs. Stone and Ship of Fools (in which Leigh played characters amazingly like herself). The cover photo is beautiful with both subjects laughing hysterically as they arrive at an airport somewhere. I don't know if the Oliviers were truly the "Romance of the Century." The Burtons (Liz and Dick) or the Duke and Duchess of Windsor may have that title.
Frank Craven, Martha Scott, and John Craven in the original 1938 production of Our Town. |
The favorite of community and high-school theaters focuses on the town of Grovers' Corners, New Hampshire as a microcosm for the human condition as we view two typical families going through the stages of youth, marriage, and death.
Our Town has been seen on Broadway a total of five times with the most recent revivals starring Henry Fonda (1969), Spalding Gray (1988) and Paul Newman (2002). An Off-Broadway 2009 production directed by David Cromer ran for 644 performances, the longest run of the play. A 1940 film version featured original cast members Frank Craven and Martha Scott as well as a very young William Holden. A 1955 TV musical version starred a younger Newman, Eva Marie Saint and Frank Sinatra. A later 1977 video staging was headlined by Hal Holbrook, Sada Thompson, Ned Beatty, Robbie Benson, Barbara Del Geddes, Ronny Cox, and Gynnis O'Connor.
Kenny Leon has recently staged productions of Suzan Lori Parks’ Topdog/Underdog (Tony Award for Best Revival), Ohio State Murders by Adrienne Kennedy, A Soldier’s Play, Fences, American Son and two revivals of A Raisin in the Sun garnering him a Tony Award for Best Director. In the spring of 2024, he will direct the previously announced Broadway production of Home by Samm-Art Williams presented by Roundabout Theatre Company at the American Airlines Theatre.
Ali Louis Bourzgui (on table) in the Goodman Theater production of The Who's Tommy, headed for Broadway in March 2024. Credit: Liz Lauren |
Casting will be announced at a later date.
Gayle Rankin and Eddie Redmayne will star in Cabaret on Broadway Credit: Mason Poole |
JaNae Collins, Lily Gladstone, Cara Jade Myers and Jillian Dion in Martin Scorsese’s “Killers of the Flower Moon.” (Apple Original Films) |
The film ends with a radio play reducing the horrific acts of death to a facile entertainment and as Robert DeNiro's character predicts, they are soon forgotten.
The events were previously depicted in The FBI Story (1959) starring Jimmy Stewart. But in that propaganda piece for J. Edgar Hoover, the Osage murders were one episode in a sweeping saga of FBI triumphs.
The 2024 Oscar race is now shaping up as a race between Oppenheimer and Killers, with Ridley Scott's Napoleon (set to open during Thanksgiving) coming up fast. Scorsese should have as many Oscars as John Ford (4), but he has only won one for The Departed. Scorsese is just as influential as Ford and has lost, usually to Hollywood favorite actor-directors Robert Redford, Kevin Costner, Mel Gibson, and Clint Eastwood. Will he add a much deserved second Golden Guy for this latest masterpiece?
Since we got rid of cable, we've saved money, but there have been issues with Hulu Plus Live TV.
I finally had to buy the episode at Amazon for $3. I couldn't have watched it on Paramount Plus because I gave that streaming service up when they dropped the Tony Awards pre-show and it went to Pluto TV.
This season of the Amazing Race has been fun. The episodes have been expanded to 90 mins. because of the actors' strike. The idea being that CBS needs to take up more space of non-actor-necessary content. They have a whole season of 60 min. episodes in the can as well. (The writers' strike has been settled but the SAG-AFTRA one drags on. Will it be settled in time for the delayed Emmys in January and the subsequent Oscars?) Another Amazing Race change is the elimination of charter flights since the COVID pandemic has lessened. So we're back to scrambles at the airport and travel agencies which I always found boring. No favorite teams yet.
The rest of the night I switched to Disney Plus for a Season Two episode of The Mandalorian. It was pretty exciting. The Mandalorian had to transport a frog-like alien and her eggs someplace but their ship crashed and they were chased by a horde of giant spiders.
I might try the Loki series on Disney Plus and I'm eagerly awaiting the new episodes of Doctor Who.
Phillipa Soo and Shaina Taub in Suffs at the Public Theater. Credit: Joan Marcus |
Suffs which takes place from 1913 to 1920 and follows the myriad advocates and activists who fought for women's right to vote, features book, music and lyrics by Taub who also played Alice Paul in the Off-Broadway production. Casting for the Broadway production is to be announced. Leigh Silverman will again serve as director. Furman has told the New York Times the musical has undergone significant revisions by Taub including changing songs and reducing the running time.
Rob Madge in his solo show My Son's a Queer (But What Can You Do?) Credit: Mark Senior |
Rob Madge in My Son's a Queer (But What Can You Do?) Credit: Mark Senior |
Scott Bakula |
Brooke Adams |
(Downloaded on my Kindle for $2.99) As far as I can tell, this is the last of the Vonnegut fiction collections I have't read yet. I recently caught up with all his previously uncollected and unpublished works. I read Welcome to the Monkey House, his first published collection, in high school and should probably read that one again since I will understand it better. Sucker's Portfolio started as a Kindle Serial with each story--and an essay--dropped one at a time. Now as a collection, it also includes an unfinished sci-fi story, Robotville and Mr. Caslow which just ends abruptly in the middle of a scene.I enjoyed Paris, France the most. This one did not touch on the usual Vonnegut dark subjects of war, outer space, etc. but focuses on relationships as three diverse couple share a train compartment on the way to and back from a vacation in the titular City of Light. Appearances are deceiving as each turns out to be totally different than what we expect from their initial descriptions.
The terror and devastation of warfare hits the hardest in his nonfiction piece, Wailing Shall Be in All Streets. The litany of death and destruction is truly stunning. My favorite story was Guns Before Butter wherein three American POWs scratch out recipes in notebooks for all the foods they'll eat when they get home. Their 60-ish German guard is also made a fully realized human being. While Spoils, Brighten Up and Just You and Me, Sammy depict Americans who cross over the line into greed and plunder. The sci-fi story Great Day was confusing to me. The premise of soldiers from 2037 time travelling back to combat their 1918 counterparts didn't quite make sense. Was it for show for a 21st century world without war? It wasn't made clear. The Commandant's Desk imagines a world where the Cold War turns hot and Americans occupy Eastern Europe and Russia after conquering the Commies, turning out to be just as harsh and cruel as any other victorious invading army. The final title story is a weird fantasy on the Devil and Armageddon, dripping with irony.